In Doorways to the Deadeye, Eric J. Guignard tells the tall tales of Crossbuck Luke Thacker, a rail-riding hobo in Depression-era America. The stories are told within the framework of a reporter recording tales told by a fellow ‘bo who knew Luke firsthand. These tales are somewhat episodic, telling of various important moments in Luke’s life, but with an overarching storyline. Luke lives his life on the rails following the Hobo Code, a series of symbols that help guide wayward vagrants like himself. One day, the Code leads him through a hidden doorway to a realm where the dead live on as memories. Here he meets famous people from history, cavorting with everyone from Harriet Tubman to John Dillinger.
Guignard has created a fun and unique concept with the Deadeye, or Athanasia, as it’s citizens call it. Athanasia is something of a shadow world, existing right alongside the world of the living. The more widely known and remembered a person was in their life, the stronger they are in the Deadeye, and the longer they will persist. But once a person fades from the collective human memory, they fade from Athanasia as well. Guignard uses Athanasia to explore the concepts of life and death, of creating a personal legacy, and of how we are shaped by the way we are remembered.
Doorways to the Deadeye was selected as a finalist for the 2019 Horror Writers Association Bram Stoker Awards® for Superior Achievement in a First Novel. I have some mixed feelings about this nomination. I absolutely loved this book, but I’m not entirely sure how squarely it falls into the category of horror. There are a few dark concepts, and a bit of violence. I don’t think I would classify it as horror myself though. That being said, Doorways to the Deadeye is a phenomenal novel that certainly deserves recognition. Luke’s tall tales are whimsical and fantastic. The worlds that Guignard builds are wondrous and immersive and full of magic. This one really defies being put into a genre box, with elements of fantasy and adventure and historical fiction, with a little darkness mixed in as well.
My absolute favorite aspect of Guignard’s work is the overall tone. As I mentioned, all of the stories found within the novel are being relayed by King Shaw, a homeless man on his deathbed, to a reporter in 1985. As he spins his yarns, Shaw talks to Daniel about the importance of storytelling and how to captivate an audience. The tone is reminiscent of stories told around a campfire, colorful and lighthearted. Guignard truly captures the spirit of the American tall tale, and that is the real draw of Doorways to the Deadeye.
This is a book that I believe will stick with me for a long time. The love poured into this work is evident. Though not strictly or classically horror, I still strongly recommend reading Doorways to the Deadeye. It is a novel that will make you think and feel, and that is perhaps one of the more important metrics of a good piece of writing. I don’t often reread books, but I get the feeling that this will make another appearance on my nightstand down the line.
You can purchase a copy on Amazon for $7.95 (Kindle) or $13.39 (Paperback).